Wednesday, November 19, 2014

The Road Literary Devices

TWIST

  • Tone/Mood (what words prove tone) -- connected w/ word choice
    • tone: specifically, author's attitude towards subject
    • mood: feeling evoked in the reader
  • Word Choice (remember metaphor, symbolism, connotation, etc.) -- effect of words, as well
    • Words that go beyond the literal to figurative language
    • Simile
    • Metaphor -- stronger than simile because of directness
    • Hyperbole
    • Symbolism -- something concrete which stands for something abstract
    • Personification
  • Imagery (five senses and any colors bringing story to life)
    • Sound devices like onomatopoeia, alliteration, assonance (repetition of middle vowel sounds), consonance
  • Style (how does author display it?)
    • Vague language
    • Dialect
    • Repetition
  • Theme (overall theme supported by a specific paragraph)
In The Road:
  • Papa and Boy are used to convey the unnecessary nature of naming in a ravaged world -- names are superfluous where survival only matters
  • Everything is immediate -- lack of punctuation

Tuesday, November 18, 2014

The Road: Anticipation Guide


  • Human beings will destroy the earth.
        We agree with this statement because we live in this very world.  If we build in the world, we can also destroy.  It is our house that we must preserve.  Global warming is evidence of this idea; carbon emission pollution issues are critical to address.

  • A parent must always put his child's needs before his own.
        We disagree with this statement because of the sound advice of corporation's given to us on airplanes.  Every individual's life should be maintained and preserved.
  • Hope comes from within a person, not from external sources.
        We believe that hope does come from ones inner beliefs and values and cannot be created by someone on the outside.


Auspiciousness
Benevolence
Children
Dogs
Empathy
Friends; Family
God
Hope
Ice Cream
Joy
Kit-Kats
Love
Money
Nostalgia
Optimism
Panda
Quest
Redemption
Salvation
Terrain
Uncles
Virginia
Water
Xylophones
Yurts
Zeal

Ryan T., Allison R., Zach Z.

Thursday, November 6, 2014

Shaka Senghor and Redemption

        Good people can do bad things.  This statement is really true because all people can be good.  Good is developed by influences generally outside their control.  Our parents, or lack thereof, our financial situation, our friends, and our culture all influence the goodness that comes out of us.  A person can start out good, then have their life turned around, causing them to make bad choices.  Good can be brought out of us all.  For Shaka Senghor, a divorce and lack of parental influence, in addition to an unstable financial situation, brings him to the streets despite being an honors student in high school.  This leads him to deal drugs and eventually commit homicide.  He is still truly good, but his environment is one of terrible conflict, leading him to do a bad thing.  Everyone makes mistakes.  But reflection and mentoring can bring the good out of us again; for Senghor, it was a letter from his son first, and support from his fellow inmates, his father, and the woman he met.  Senghor realizes that the goodness is still there, and pulls it back out by forgiving himself.  The goodness of a person is not always connected to the deeds they have done; rather, it is connected to and revealed by their response.  Amir illustrates this idea as well, although his case is drastically different from Senghor's.  Amir is not negatively impacted by his mistake in wealth or opportunity, whereas Senghor is.  He therefore has less incentive to turn his life around, because it is more about helping others than helping himself.  Amir realizes later that altruism also leads to one's happiness more so than oblivion, and therefore acts towards redemption.

        Unintentionally bad acts are not evil.  Evil is connected with the idea of a mindset of knowingly inflicting terrible, profoundly immoral harm upon others to make oneself more superior and powerful.  People in the world that we categorize as evil, like Hitler, all acted with intention.  We see his in his book, Mein Kampf, that he had the ideas of an ethnically pure world in which all Jewish and other inferior peoples were disposed.  Assef is an embodiment of evil in the Kite Runner.  Unintentionally bad acts, like Senghor's murder, was not evil.  He had no deeper mindset or intention of being evil.  There was little thought, just the rising of his temper and a gunshot.  This is why I agree with him that the criminal justice system is far too harsh, and that instead we need to solve the root of the problem, which is exactly what Senghor is doing.

        Nobody can be truly redeemed or atoned.  It is impossible to truly lose anything that is connected to you; in this instance, the sin of which you are trying to absolve yourself.  True redemption should not be the idea that you are saved from a sin, but the idea that the sin has transformed you into a better person than you were before.  For both Amir and Senghor, their sins motivated them to transform into better people.  This is why coaches and teachers always emphasize that mistakes are good; we learn from them, and improve our beings.

       Amir was redeemed by the end of the novel.  He was not fully atoned of his terrible mistakes, but he was able to turn guilt into good and be at peace with himself.  He forgave himself, and became a faithful man, which is a testament to his belief in hope and happiness existing in world.  Before his redemption, Amir was cynical and burdened.  Amir changes into a more confident and altruistic being after pursuing redemption.  He fights to repay Hassan through his pursuit of Sohrab's love.  He feels no reason to fabricate, telling the truth to General Taheri, despite its bitterness.  Amir is at one with himself, and with the world.

Kite Runner: Final Discussion

Word-Association

Twilight:
Dark
Vampire
Love
Moon
Forest

The Passion Project:
Homeless
Service Project
Work
Research
Church

Sept. 11th, 2001:
Terrorism
World Trade Center
New York
Target
Airplanes

Afghanistan:
Taliban
Muslim
Mountains
Oil
Death

Taliban:
Jihad
Guns
Turban
Dark
Afraid

Certainty of Turmoil:
Cynical
Conflict
Sun
Moon
Sorrow

Turmoil of Uncertainty:
Dubiety
Fights
Factions
Bloodshed
Nothing

Hazara:
Doll
Harelip
Hut
Work
Dirt

Hassan:
Slingshot
Pomegranate
Loyal
Tree
Sohrab

"There is a way to be good again."
~ "And that, I believe, is what true redemption is, Amir jan, when guilt leads to good.  I know that in the end, God will forgive.  He will forgive your father, me, and you too." (p. 302)
        Good comes from guilt.  The pain, the burden of guilt goes away only once we attempt to correct our wrongdoings, to better society.  Therefore, most often, we eventually embark on the path to reach goodness once again after horrible sins.  The idea of God forgiving embodies the true idea of the goodness of people to forgive and forge a path for atonement for the sinning individual, to help themselves and those they wronged.  Optimism is great and contagious.

~ "How dark, almost black, Hassan's blood had looked on the snow, dropping from the seat of his pants.  Blood is a powerful thing, bachem." (p. 310)
        Amir and Hassan share blood, in this thought he connects that he and Sohrab also share blood, making it his duty to adopt him into his family.  Again, this is the will of the individual to reach good from the guilt present in their minds.

"There are a lot of children in Afghanistan, but little childhood."
~ "'I miss Father, and Mother too,' he croaked.  'And I miss Sasa and Rahim Khan sahib...'  'I'm so dirty and full of sin.'" (p. 319)
        Sohrab is forced to do terrible, sinful things and is kidnapped by Taliban leaders.  He does not experience a normal childhood, of love, nurture, and parenting.  He, and the myriad other children in Afghanistan, are shaped by the violence and threat that is an aspect of their daily lives.  They move from innocence to experience at very young ages.  Many of them must live on their own, without parents at all.  It is sobering to hear this story.

Introduction to the Kite Runner

Notes on The Kite Runner

Characterization:

Father/Son Bubble Map ~



Ali ~



Hassan ~


Tuesday, November 4, 2014

The Kite Runner: Final Exam Themes

"Sometimes in the early evening, I parked the car and walked up a freeway overpass. My face pressed against the fence, I'd try to count the blinking red taillights inching along, stretching as far as my eyestould see. BMWs. Saabs. Porsches. Cars I'd never seen in Kabul, where most people drove Russian Volgas, old Opels, or Iranian Paikans.


Almost two years had passed since we had arrived in the U.S., and I was still marveling at the size of this country, its vastness. Beyond every freeway lay another freeway, beyond every city another city hills beyond mountains and mountains beyond hills, and, beyond those, more cities and more people.


Long before the Roussi army marched into Afghanistan, long before villages were burned and schools destroyed, long before mines were planted like seeds of death and children buried in rock-piled graves, Kabul had become a city of ghosts for me. A city of harelipped ghosts.


America was different. America was a river, roaring along, unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins.

If for nothing else, for that, I embraced America." (p. 136)


        This passage develops the idea of hope in the novel.  Hosseini uses imagery, metaphor, and contrast to illustrate this idea.  In the first two paragraphs of this passage, the description of the country's vastness gives us an idea of the interminable nature of the hope that the protagonist, Amir, feels.  When Hosseini says, "Beyond every freeway lay another freeway, beyond every city another city hills beyond mountains and mountains beyond hills..." an image of the boundlessness of hope that America presents is given to the reader.  The author contrasts this in the following paragraph with metaphor, calling Kabul "A city of harelipped ghosts."  The tone of this paragraph is dark and ominous, representing Amir's past of regret, loss, and sorrow in Afghanistan.  The idea of ghosts illustrates the happiness that Amir once felt about Afghanistan, and that the joy perished with his loss in friendship with Hassan, a harelipped boy.  It portrays Afghanistan as a hopeless place.  The last paragraph serves to unify the preceding paragraphs, culminating the contrast to give us a complete idea of hope.  Hope is the future, blissful and oblivious, and it lies in America.  Afghanistan is a place of darkness.

Monday, November 3, 2014

The Kite Runner: themes

Taxonomy of Themes

A tonement
B etrayal
C ourage
D iscrimination
E quality
F abrication; Faith
G uilt
H armony; Hope
I nnocence; Isolation
J ustice
K indness
L oyalty; Love
M isery
N ostalgia
O blivion
P erseverance
Q uest
R edemption; Reconciliation; Resilience
S orrow; Separation
T olerance; Trust; Tenacity
U nity
V anity
W ar
X enocracy
Y outh
Z eal


Redemption: Redemption is bittersweet.

"I will do this and I will think of Him every day from from this day on if He only grants me this one wish: My hands are stained with Hassan's blood; I pray God doesn't let them get stained with the blood of his boy too." (p. 346)

Hosseini illustrates this nature of redemption by using hyperbole.  The staining of Hassan's blood exaggerates the impact of Amir's brother's death on his guilt; it is truly permanent, indicated by the stain.  Amir realizes that he must redeem himself and save his brother's son Sohrab, to not let his brother die in vain, and to add sweet to the bitterness of his guilt.  He cannot change his mistakes, but he can try to recover.

Oblivion: While blissful in the temporary, oblivion is pernicious in the long term.

"I was afraid the appeal of my life in America would draw me back, that I would wade back into that great, big river and let myself forget, let the things I had learned these last few days sink to the bottom.  I was afraid that I'd let the waters carry me away from what I had to do.  From Hassan.  From the past that had come calling." (p. 231)

The metaphor of America as a great, big river appears throughout the book and is analogous with the idea of oblivion.  Amir realizes the appeal of this oblivion from addressing his past of regret, but also understands that he must escape it to better himself.  It is pernicious.